| piersmcgrail@gmail.com / +353 86 379 5719 | ||||||||||
I am a freelance cinematographer. Below you can see a selection of my work. |
DRAMA | / | COMMERCIAL | / | MUSIC & ART | / | ABOUT | / | BLOG | |
| HIGH HOPES [Kodaline]
Directed by Stevie Russell Produced by Michael Donnelly Shot on Epic with Superspeeds |
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| ALL I WANT [Kodaline]
Directed by Stevie Russell Produced by Michael Donnelly Shot on Epic with Superspeeds |
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| MARK MY WORDS [The Coronas]
Directed by Simon Eustace Produced by Michael Donnelly Shot on RedMX with Zeiss Superspeeds
'With some beautiful lighting courtesy of DP Piers McGrail...'
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| HOPE IS DEAD [Sleep Thieves]
Directed by Simon Eustace Produced by Michael Donnelly Shot on RedOne with Zeiss Superspeeds
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| HEART [Mmoths]
Directed by Jamie Delaney Shot on Epic with Zeiss Superspeeds
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| FUTURE KINGS [Miracle Bell]
Directed by Simon Eustace Produced byMichael Donnelly Shot on Epic with Zeiss Superspeeds |
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| VELCRO [Bell X1]
Directed by Shane Delahunty Produced by Eoin Cody Shot on RedOne with Zeiss Superspeeds |
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| WHERE FAERIES DWELL [Fashion Shoot]
Directed by Jamie Delaney Produced by Keith Nally Shot on RedOne with Zeiss Superspeeds |
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| LOVE MONEY MUSIC BODY [Arveene & MIsk]
Directed by Simon Eustace Produced by Leah Burke Shot on RedOne with Superspeeds |
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| CLOUD [Hunter Gatherer]
Directed by Ciara Kennedy and Roisin McNamee Shot on RedOne with Nikon lenses |
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| LAST MAN [Installation]
Installation by artist Martin Healy Shot on RedOne with Zeiss Superspeeds
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| WON'T LEAVE YOU ALONE [The Coronas]
Directed by Simon Eustace Produced by Michael Donnelly Shot on RedOne with Zeiss Superspeeds |
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| SOMETHING ABOUT YOU [Tensnake]
Directed by Pondr Produced by Fiona Conlon McKenna and TJ O' Grady - Peyton Shot on RedOne with Nikon lenses |
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| INHALE/EXHALE [Miracle Bell]
Directed by Simon Eustace Produced by Michael Donnelly Shot on RedOne with Zeiss Superspeeds |
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| FLEETWOOD [The Minutes]
Directed by Philip Kelly Produced by Liam Ryan Shot on RedOne with Red Pro Primes |
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| MISHIMA MVT II [Dublin Guitar Quartet]
Directed by Gareth Averill Shot on RedOne with Zeiss Superspeeds |